FRINK, Dame Elisabeth Jean
Elisabeth Jean Frink was born at The Grange, Thurlow, Suffolk on 14 November 1930, only daughter of Herbert Ralph Cuyler Frink (26 August 1899-2 March 1974), a cavalry officer, and his wife, Jean Kathleen née Conway-Gordon (23 October 1909-1997), a colonel's daughter, who met and married at Delhi, Bengal, India on 11 February 1929. Frink's early years were spent travelling with her army father, who was serving with the 4th–7th Dragoon Guards but their home remained at Thurlow and about 1960, they moved to a modern house 'Cuylers' down The Drift at Thurlow where they remained until 1984, when her widowed mother joined her daughter in Dorset. In 1940, her father was stationed at Kingston, Dorset, close to the Purbeck quarries and the magnificent ruin of Corfe Castle; both sites impressed her enough for Elisabeth to make Dorset her home some thirty years later. Frink started to draw when she was thirteen and her subjects were men on skeletal horses rendered in ink and wash, which she called ‘apocalyptic’. At the age of 16, she won a place at Guildford School of Art and in 1947 started in the painting school but moved over to sculpture when the head of department was sculptor Willi Soukop (1907-1995). After two years at Guildford and, following Soukop, applied to Chelsea School of Art in 1949, where she studied until 1953, perfecting her own method of modelling, and carving in plaster of paris, a practice used by the head of department, Bernard Meadows (1915-2005), also by Henry Moore (1898-1986), a visiting tutor. In 1952 she received her first major commission, a figure of St John Bosco, for the new church of St John Bosco in Woodley, near Reading, Berkshire. Her last religious commission was her last work, The Risen Christ, for Liverpool Cathedral, unveiled by her son on Easter Sunday, 11 April 1993, a week before her death. In 1953, she won the student prize in the Unknown Political Prisoner Sculpture Competition, and she taught at Chelsea School of Art 1953-1961, at St Martin's School of Art 1954-1962, and a visiting instructor at the Royal College of Art 1965-1967. Her first solo show was at St George's Gallery at 32a George Street, Hanover Square, London in 1955 and first overseas at the Bertha Schaefer Gallery, New York in 1959. Frink married at the church of Notre Dame de France, Leicester Place, London in September 1955, architect Michel Jammet (1921-1972), and their only child, Rene Lin Bree, was born at St Stephen's Hospital, London on 11 May 1958. Frink divorced Michel Jammet in 1963 and the following year, at Wandsworth register office, she married Edward Pool, whose family had a butchery business in Smithfield. In 1967, they sold their Chelsea home and moved to a group of abandoned farm buildings, Le Village, in the foothills of the Cévennes, near Nîmes, France. In June 1973, Frink was divorced from Pool and returned to live and work in England, where she moved into a large apartment at Buckingham Gate, London. In December 1974, Frink married in London, Alexander Csaky, a Hungarian count, and an insurance broker. In 1976, when the lease on her Buckingham Gate studio expired, they purchased Woolland House, near Blandford Forum, Dorset, a large converted stable building with extensive gardens where she had a studio built near the house and there made a life-size horse, commissioned by the Earl of March for Goodwood racecourse. Frink was appointed CBE in 1969 and made a Dame of the British Empire in 1982 and became a Companion of Honour in 1992. A trustee of the British Museum in 1975, a member of the Royal Fine Arts Commission in 1976, and elected a Royal Academician on 1 March 1977. She died of cancer at Woolland House on 18 April 1993, two months after Alexander Csaky following a stroke. In Little Thurlow church, is a small model inscribed 'St Edmund by Dame Elisabeth Frink R.A., in memory of her father, Brigadier Herbert Ralph Cuyler Frink DSO, 26 Aug. 1899-2 March 1974'.
Royal Academy Exhibits
from 34 Oakley Street, Southwest London
1954 1359 David - head
from c/o The Waddington Galleries, 2 Cork Street, West London
1972 1089 Lying Down Horse with Head Turned - pencil & wash
1090 Portrait of a Friend: Metamorphic Man - pencil
1134 Birdman, 1962 - bronze
1135 Sentinel II - bronze
1176Head with Goggles, 1971 - bronze
1177 Head, 1971 - bronze
from 1303 Munster House, St James's Court, Buckingham Gate, Southwest London
1974 1304 Horse - watercolour
1306 Horse - watercolour
1371 Man - bronze
1373 Bird Mirage - aluminium
1975, 1976, 1978, 1979, 1980, 1982, 1983, 1984, 1986, 1989, 1991, 1992, 1993
Works by This Artist
|
Dame Elizabeth Frink in her studio |
|
Horse and RiderLithograph
|
|
The Shipman’s TaleLithograph
|
|
Herring Gull from The Seabird SeriesLithograph
|
|
Bob WilloughbyBronze portrait bust
|
|
The Nun’s Priest’s TaleEtching
|