BROWN, Sir John Alfred Arnesby
John Alfred Arnesby Brown was born at Nottingham on 29 March 1866, second son of John Henry Brown (c1838-28 January 1911), a wine merchant, and his wife Emma Maria, née Wardle (1837-1881), who married at Nottingham in 1860. In 1881, Arnesby Brown was a 15-year-old scholar living at Pelham Crescent, Standard Hill, Nottingham with his parents, 44-year-old John and 44-year-old Emma, with six siblings, Gilbert Noel 13, Emma Hilda 11, Jane Ethel 10, Myra Margaret 8, Mercy Eleanor 6 and Eric 3, all born in Nottingham. Arnesby Brown studied at the Nottingham School of Art and at Herkomer's Art School at Bushey, Hertfordshire 1889-1893. One of the leading British landscape artists of the 20th century and is best known for his impressionistic depictions of pastoral landscapes, often featuring cattle. He first exhibited at the Royal Academy as J. Alfred Brown from Grove Cottage, Grove Road, Bushey in 1890 'A Cornish Pasture', being elected an Associate of the Academy in 1903 and a member in 1915 last exhibiting from White House, Haddiscoe, Norfolk in 1942 'Island of the West'. He married at St Pancras Parish Church, Paddington on 29 September 1896, Sarah Harriott Mia Edwards, Mia Edwards Arnesby Brown, eldest daughter of the late Revd Charles Smallwood Edwards, vicar of Llanddewi, Rhydderch and they lived in Norfolk and St Ives, Cornwall. Arnesby Brown was knighted in 1938 and in 1939 was living at The White House, Rectory Road, Loddon, Norfolk. Due to blindness, he ceased painting in 1942 and John Alfred Arnesby Brown died at The White House, Haddiscoe, Loddon, Norfolk on 16 November 1955 and buried in the local cemetery. Not strictly a Suffolk artist but a regular guest member and exhibitor with the Sole Bay Group at Southwold, Suffolk. He signed his works 'Arnesby Brown' or on small works 'A. B.'
Royal Academy Exhibits
from Grove Cottage, Grove Road, Bushey, Hertfordshire
1890 667 A Cornish Pasture
from Pelham Crescent, The Park, Nottingham
1891 562 Shadows Falling
700 'Where dying winds a sigh bequeaths'
1112 St. Ives, Cornwall
1892 41 Miss Mia Edwards
988 Low Land
1893 932 The End of the Shower
from St Ives, Cornwall
1894 53 The Hillside
867 A Northerly Breeze
1895 32 The Daffodil Harvest
111 The Drinking Pool
158 Evening Sunlight
1896 104 Homeward
232 September Eve
333 A Fair Wind
1897 434 Herald of Night
from Carbis Bay, Lelant, Cornwall
1899 191 The Marsh Farm
652 The Crest of the Hill
1900 149 The Rainbow
1017 After heat of Day
from 34 Elm Road, Mortlake, Southwest London
1901 106 The Hill Top
428 Morning
846 Evening
1902 253 The River Bank
770 Full Summer
from Fritton Cottage, Ludham, Great Yarmouth
1903 94 The Coming Day
523 Between the Showers
545 The Pool
1904 34 The Bay: Twilight
172 The Bridge
511 Hay Harvest
from The White House, Haddiscoe, near Norwich
1905 18 Sundown
100 The By-way
179 The Harbour
1906 162 Midsummer
217 The Pier
763 September
1907 73 Noon
220 The Wherry
296 The Fold
851 The Thunder Cloud
1908 19 The Gate
72 The Two Piers
118 A Cornish Moor
1909 19 The River: Afternoon
from 12 Cheyne Row, Chelsea, Southwest London
1911 191 A March Morning: Chelsea
from The White House, Haddiscoe, near Norwich
1913 148 The Train
228 A June Day
370 In Suffolk
1914 169 Midsummer
433 Dawn
763 The White House
1915 6 The Church
88 Wide Marshes
182 The Raincloud
1916 28 View of Great Yarmouth
60 September Morning
105 The Church on the Hill
1917 15 In June
229 White Cattle
233 September Morning
263 The Right Rev. Bishop Fisher, D.D.
1918 38 The Little Village
153 By the Sea
233 Evening
281 The Church Farm
1919 34 The Line of the Plough
92 The Distant Marshes
96 A Village by the Sea
151 April
1920 11 The Mouth of the River
55 Gathering Clouds
114 August Morning
222 The Shadow
1921, 1922, 1923, 1924, 1925, 1926, 1927, 1928, 1929, 1930, 1931, 1932, 1933, 1934, 1935, 1936, 1937, 1938, 1939, 1941, 1942
Works by This Artist
|
The Saltings, SouthwoldOil sketch on panel |
|
Kessingland Beach, SuffolkOil on canvas |
|
Morston Church, NorfolkOil on panel
|
|
Blythburgh (Beccles across the Marshes)Oil on canvas
|