MURRAY, Charles Fairfax

1849 - 1919

Fairfax Murray

Charles Fairfax Murray, was born at Bow in London in September 1849, son of James Murray, an accounts clerk, and his wife Elizabeth. In 1851, a 1 year old, living at Castle Street, St Giles Cripplegate, London with his parents, 42 year old James and 35 year old Elizabeth, and three siblings Lucy Maria 9, Arthur 7 and John D. 5, all born at Bow. Murray grew up in Sudbury, Suffolk where he studied drawing, possibly under Thomas Gainsborough's great nephew Gainsborough Dupont [q.v.]. At the age of 12, he was employed in the drawing office of the railway entrepreneurs Peto & Betts and was taken into Sir Samuel Morton Peto's (1809-1889) home at Somerleyton Hall, to draw portraits of Peto's family. When aged 17, was sponsored by John Ruskin (1819-1900) and in 1867 installed as Edward Burne-Jones's (1833-1898) first studio assistant and quickly became one of the circle of Dante Gabriel Rossetti (1828-1882) working to Burne-Jones's designs also illuminating Morris's manuscripts. In 1872 Murray went to Italy where he worked as a copyist for Ruskin in Rome, Siena, Pisa and in Venice, allowing him to advance his study of the Italian masters. He married 16-year-old Angelica Collivichi and settled in Florence but in 1882, leaving his wife in Italy, he returned to England. From 1888, he became associated with his model Blanche Richmond, with whom he went on to father children. A well respected connoisseur and advisor to private collectors also collecting a considerable number of old master paintings, including Rembrandt's 'Portrait of his Brother', Botticelli's 'Infant Jesus with the Virgin and St John' and van Dyck's 'Lucas Vosterman'. He died at 77 Barrowgate Road, Chiswick, Middlesex on 25 January 1919.




Works by This Artist