TALMAGE, Algernon Mayow
Algernon Mayow Talmage was born at Fifield Rectory, Chipping Norton, Oxfordshire on 23 February 1871, son of Revd John Mayow Talmage (1 August 1813-31 January 1883) and his second wife Susan Savage née Penkivil (30 December 1841-2 March 1915), who married at Kensington, London in 1866, he married his first wife Louisa South at Charlbury, Oxfordshire on 23 January 1845, she died at Chipping Norton in 1863. In 1871, Algernon was a newly born child, living at Fifield Rectory with his parents, 56-year-old John and 29-year-old Susan, with a younger sibling John Mayow Lionel 2. As a child Talmage had an accident with a gun injuring his right hand resulting in Talmage painting with his left hand. Algernon studied at Herkomer's Art School at Bushey and at St Ives, Cornwall. He married at The Church of St Stephen, Treleigh, near Redruth, Cornwall on 10 August 1896, Charlotte Ann Gertrude Rowe (21 September 1866-19 April 1941) who was known as Annie, but they later separated. Talmage is principally known as a painter of plein-air landscapes and pastorals in a restrained yet sparkling Impressionist manner, and for tutoring Canadian artist Emily Carr (1871-1945), during her studies at St Ives when she lived and worked in his studio, 'The Cabin' on Westcotts Quay, St Ives. Talmage came to London around 1907 and in 1914 was the official First World War artist for Canada in France. Elected an Associate of the Royal Academy on 20 April 1922 and a member on 25 April 1929 and was also a member of the Royal Society of British Artists from October 1902 and the Royal Institute of Oil Painters from 1908. He exhibited at Barbizon House; Chenil Galleries; Cooling Galleries; Fine Art Society; Grosvenor Gallery; Royal Glasgow Institute of the Fine Arts; Goupil Gallery; Royal Scottish Academy; Heffer Gallery, Cambridge and elsewhere including at the Ipswich Fine Art Club in 1923, an oil 'The Banks of the Stour' and was also exhibited with the Sole Bay Group. Algernon Mayow Talmage died at Clarks House, Sherfield English, near Romsey, Hampshire on 14 September 1939.
Royal Academy Exhibits
from St Ives, Cornwall
1895 176 Fading Day
from Trecarrel, Redruth, Cornwall
1896 75 Through the gathering Gloom
from Pednolver, St Ives, Cornwall
1899 424 A Cornish Harvest
1901 338 Evening after Rain
420 The Noonday Sun
546 The Moorland Pool
1904 790 After Rain
1905 297 The Banks of the Avon
529 The End of the Shower
1906 250 The Marsh Road
314 Moonrise in Picardy
462 The Ford
1907 431 Moonlight in Picardy
from 143 Church Street, Chelsea, Southwest London [Chelsea Arts Club]
1909 462 Picardy Marshes after Rain
1910 24 The Mackerel Shawl
264 'Mark!! Woodcock forrard!'
655 The Kingdoms of the Breeze
1911 422 The Chalk Pit
463 The Lady and the Landscape
1912 482 Green, Silver, and Black
1914 188 Morning in Holland
502 The Hammock
1915 410 The Bather
420 The Haven
432 The Elm Tree
1916 559 On the Dunes
635 Morning after Rain
1917 246 The Check Shawl, Green and Silver
283 The Fisher, Black and Silver
from 22 Joubert Mansions, 142 Jubilee Place, Chelsea
1918 144 Morning after Rain
373 Suffolk Meadows
599 The Heat of the Day
1919 199 February Moon
388 Mobile Veterinary Dressing Station, near Bullecourt
473 March Month
1920 214 October Morning
483 The Artist and her Models
1921 172 Silver Afternoon, Isle of Wight
300 The Old Hunter
344 The Freshness of the Morning
1922 172 A Dedham Landscape
199 The Incoming Tide
359 Mrs. E. Trevlyan
1923 75 Midsummer Day, Dedham
140 Morning after Rain, Dedham Valley
253 Mrs. Turner, Silver and Blue
484 Tintagel
559 The Banks of the Stour, Dedham
1924, 1925, 1926, 1927, 1928, 1930, 1931, 1932, 1933, 1934, 1935, 1936, 1937, 1938, 1939
Works by This Artist
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The Banks of the Stour, Dedham ValleyOil on Canvas
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Silver Morning, Aldeburgh BeachOil on canvas
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A Suffolk HarvestOil on canvas
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Afternoon in the Norfolk MeadowsOil on canvas
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Cattle Grazing beside the Stour at DedhamOil on canvas
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Cattle grazing beside the Stour at DedhamOil on canvas
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